Threads Fabric Store Logo
Joana served as the inspiration for the made-up fabric store, and the mouse icon is based on Cinderella. The type is thin and cursive to resemble thread with a needle passing through it, and the ears are made to resemble buttons.
Restaurant Branding: The Voodoo Parlor
1930-1940 themed parlor located in New Orleans. The theme includes haunted/spooky vibes. Typeography has a rough texture that matches the stroke on the logo mark.
Logo for Salzburg, Austria's Olympic bid 2034 Winter Olympics
Hand lettering influenced by Austria's renowned Alps. A cross between a snowflake and a mountain serves as an alternate mark.
My KIA rebrand was to make the logo more legible as i felt the main logo read as KN and not KIA. By doing this I stretched the letters out more and made the whole logo more rectangular giving each letter its own space while having the same width.
Along with 5 additional diet-friendly recipes. Every other page features paintings of cats from the Art Nouveau period.
This book showcases a variety of breeds that fall under the category of house cats.
Theodora is a fictional city from Italo Calvino’s Invisible Cities. In this city, humankind tried to eliminate every creature that wasn’t like them. But with each purge, the animals that appeared grew more mysterious, shifting from giant condors, serpents, and rats to increasingly mythical beings that linger in the shadows. I designed the poster with high opacity to make the unicorn hard to see at first glance, revealing itself only when you really stop to look.
Revolutionary Voices: A set of trading cards showcasing influential individuals who spoke out for what was right.
A redesign of the book The Call of the Wild. The side panels feature a dog on the left, representing the beginning of the story, and a wolf on the right, symbolizing how the story ends. The main cover includes a mountain range and sled dogs to reflect the setting and themes of the narrative.
Caslon Typography Poster: Designed to resemble the Declaration of Independence, as the Caslon typeface was commonly used when it was mass-produced.